Thursday, August 20, 2015

Kansas First, Kansas Best!

During the play The Voice of the Prairie, the characters reference a mighty Kansas radio station called KFKB - Kansas First, Kansas Best. I got curious about this since I'm from St. Louis and I'd never heard of this radio station before. I did some research and there's actually a pretty hilariously weird story behind the creation of KFKB.

KFKB Radio was in fact a real radio station. It operated at 1,050 kilocycles with 5,000 watts power, which for the time was immense. The station was licensed on September 20, 1923, to the Brinkley-Jones Hospital Association, and operated until June 3, 1925. On October 23, 1926, it was relicensed to J. R. Brinkley.

"Doctor" John Brinkley
John R. Brinkley was a doctor practicing in Milford, Kansas. He created a radio station that he hoped would entertain his patients. While not the first station licensed in Kansas, KFKB was groundbreaking in many ways. Brinkley promoted his medical activities and provided entertainment to his listening audience in several states, as well as the hospital. He was a pioneer in radio entertainment. as they say in the play, the station became quite popular for its entertainment schedule. Music, lectures, weather, politics, baseball, and national events were among the programs. 

Here's where the story starts to get weird though. On the station Brinkley promoted his goat gland surgeries and read letters of testimonials on air. What are goat gland surgeries you ask?  Here's where it gets hilariously weird. From Quackwatch.org we learn the following:

... after Brinkley had gone into private practice in Milford, Kansas, a farmer named Stittsworth came to see him. Stittsworth complained of a sagging libido. Recalling the goats' frantic antics, the doctor semi-jokingly told his patient that what he needed was some goat glands. Stittsworth quickly responded, "So, Doc, put 'em in. Transplant 'em." 
Most doctors would have ignored the bizarre request, but Brinkley was not like most doctors. In fact, he wasn't a doctor at all. Although he had spent three years at Bennet Medical College in Chicago, he'd never graduated. He called himself a doctor on the basis of a $500 diploma he had purchased from the Eclectic Medical University of Kansas City, Missouri. As absurd as it sounds, this piece of paper gave him the right to practice medicine in Arkansas, Kansas, and a few other states.
Buying a degree from a diploma mill was not out of character for Brinkley. He had worked as a snake-oil salesman in a road show, and then, with Chicago con man James Crawford, established Greenville Electro Medical Doctors. Under this name the pair injected people with colored distilled water for $25 a shot. And that was big money in those days. Brinkley, therefore, had all he needed to capitalize on the farmer's idea of goat-gland transplants: he was unethical, he had a wobbly knowledge of medicine, and he had witnessed the rambunctious behavior of goats. And he possessed one more thing: knowledge of experiments carried out in Europe beginning in the late 1800s. 
Charles-Edouard Brown-Sequard, a noted French physiologist, had shocked the medical community by injecting himself with the crushed testicles of young dogs and guinea pigs. Afterwards he claimed that he had regained the physical stamina and intellectual vigor of his youth. Many men availed themselves of La Méthode Sequardienne, but once the placebo effect was filtered out little remained. In Vienna physiologist Eugen Steinach proposed that youthful vitality could be restored by increasing levels of testosterone. The easiest way to do this, Steinach said, was through vasectomy. Sperm production wasted testosterone, and if the channel leading from the testes to the ejaculatory duct were tied off, then blood levels of testosterone would rise. Brinkley may also have heard of the work of Serge Voronoff, a French doctor who was stirring up a storm of controversy with his experimental gland transplants. Voronoff had been a physician in the court of the King of Egypt, and there he had spent a great deal of time treating the court eunuchs, who suffered from a variety of illnesses. He hypothesized that maintaining active genital glands was the secret to health. As proof, he cited his experiments with an aging ram into which he had transplanted the testicles of a young lamb. The ram's wool got thicker, and his sexual vigor returned. Voronoff then went on to transplant bits of monkey testes into aging men; he claimed success, although he could offer no scientific validation of his claim. In America the stage was set for the meteoric rise of J.R. Brinkley.
Brinkley went to work, implanting a bit of goat gonad in Stittsworth's testicle. Within weeks the farmer was back to thank the doctor for giving him back his libido. And when his wife gave birth to a boy, whom they appropriately named Billy, Stittsworth spread the word about Brinkley. Soon Brinkley's business was booming. The testimonials poured in and so did the money. Brinkley was charging $750 per transplant, and he couldn't keep up with the demand. All men needed the Brinkley operation, he declared, but the procedure was most suited to the intelligent and least suited to the "stupid type." This, of course, ensured that few of his patients would admit that they had not benefited from the operation.
There were a few problems. Like when Brinkley decided to use angora goat testicles instead of those from the more common Toggenberg goat. Recipients of the angora testicles were decidedly unhappy—Brinkley himself noted that they reeked like a steamy barn in midsummer. But Brinkley's major problem was that as his fame increased so did the criticism leveled against him by the medical community. Morris Fishbein, editor of The Journal of the American Medical Association, called Brinkley a smooth-tongued charlatan and urged the authorities to revoke his right to practice. Brinkley's assertion that his procedure could cure conditions ranging from insanity and acne to influenza and high blood pressure amounted to quackery, Fishbein said. In response to this Brinkley called the American Medical Association a "meat-cutters union" and charged that its members were jealous of him because they were losing business. He then went to California and performed a transplant on Harry Chandler, the owner of The Los Angeles Times; the satisfied Chandler rewarded Brinkley with lots of free publicity.
In California Brinkley also learned about the potential of radio. Returning home, in 1923, he started up the radio station KFKB With 1,000 watts - an amazing number for the time - and broadcast music, his lectures on rejuvenation, political features, and the "Medical Question Box," during which Brinkley himself answered listeners' questions. It was perhaps radio's earliest advice show. But the advice Brinkley dispensed was ridiculous, and he usually gave listeners prescriptions to which he assigned a number. These they could fill at a local pharmacy; Brinkley had set up the National Dr. Brinkley Pharmaceutical Association in collusion with pharmacists who relished making lots of money selling water colored with indigo.
Kickbacks from this operation and revenues from the transplant surgeries made Brinkley an immensely wealthy man. For $5,000, he would even implant genuine human glands, which he obtained from prisoners on death row. He had mansions, a fleet of Cadillacs, airplanes, and yachts. What he did not have was scientific respect. The American Medical Association finally prevailed upon the Kansas Board of Medical Registration to revoke Brinkley's license on the grounds of immorality and unprofessional conduct, and the Federal Radio Commission shut down KFKB for promoting fraud. Still Brinkley did not capitulate. He claimed he was being crucified by the authorities and kept his hospital going by hiring licensed physicians to work there. He also purchased radio station XERA in Mexico and began beaming his message into the United States with the power of one hundred thousand watts. 
The "doctor" then decided that the only way to get his license back was to become governor. So in 1930 he organized a massive write-in campaign, and he almost won. By insisting that he was being persecuted by elitist doctors and politicians he won the support of ordinary citizens; and his promise to build free clinics and cure virtually all diseases boosted his appeal even further. But Brinkley couldn't even cure himself. The Milford Messiah—as he was sometimes called—the man who had performed over 16,000 goat testicle transplants, the man who appropriately wore a goatee all his life, developed a blood clot, and doctors had to amputate his leg. Till the very end, Brinkley's scheming mind remained active. Confined to bed, he decided to study for the ministry and had visions of becoming a big-time preacher, He never made it. His last words were reported to have been, "If Dr. Fishbein goes to heaven, I want to go the other way." If there is any justice in the world, he did.

Brinkley’s license renewal was denied in 1931 after claims of indecency had been filed against the doctor. The state medical board revoked Brinkley’s license for unprofessional conduct. KFKB radio folded and there's now a KFKB AM radio station in Forks, Washington. The story does show that Leon Schwab's hijinks in The Voice of the Prairie weren't all that far of the mark of those early days of radio. 

Wednesday, August 19, 2015

Who Is John Olive?


John Olive is a widely-produced and award-winning playwright.His plays include Standing on my Knees, Minnesota Moon, The Voice of the Prairie, Evelyn and the Polka King, Killers, The Summer Moon, The Ecstasy of St. Theresa, Careless Love, God Fire, and Singapore. He's had his works produced at such prestigious theaters as the Manhattan Theatre Club, Old Globe, Steppenwolf, Wisdom Bridge, South Coast Rep, Alley Theater, the Guthrie, Actors Theatre Of Louisville, the Oregon Shakespeare Festival, ACT/Seattle. 
Playwright John Olive

Lately, he has written extensively in the area of Theater For Young Audiences for Seattle Childrens, the Arden, Peoples Light, First Stage Milwaukee, Oregon Childrens, among others. Plays include  Sideways Stories from Wayside School, Johnny Tremain, Jason and the Golden Fleece, The Magic Bicycle, Pharaoh Serket and the Lost Stone of Fire, and Water Babies. He is currently working on an adaptation of Lauren Baratz-Logsted’s The Sisters Eight.

Awards include: a Jerome Fellowship, three McKnight Fellowships, a National Endowment For The Arts Fellowship, two Bush Fellowships, the Society of Midland Authors Award For Drama (Standing on my Knees), Kennedy Center Award For New Plays (The Summer Moon), and a Rockefeller Residency (Wisdom Bridge). John has written screen and teleplays for: Disney, Amblin Entertainment, ShadowCatcher Entertainment, Yorktown Productions, Lorimar Television, among others. His screenplay A Slaying Song Tonight has just been finished.

Mr. Oliver's book about bedtime stories, Tell Me A Story In The Dark, will be published shortly by Familius. John has two YA novels going: Smartass and Deep River (in collaboration with David Grant). Audiobooks based on Johns novellas will shortly be available. John writes reviews and essays for HowWasTheShow.com and does voice acting through Talent Poole.


Husband to Mary, father to Michael, Mr. Oliver lives in Minneapolis, Minnesota, and is currently a core writer at the Playwright's Center in Minneapolis. 

Wednesday, July 8, 2015

The Story of Lo Speziale

For our production of Lo Speziale the production team has taken the original translation by Carlo Goldoni and updated it to connect the story to something contemporary - Breaking Bad. Here's OUR version of the story of Lo Speziale:


Sempronio is a middle aged meth cook who took in an orphaned young woman named Grilletta. Now that she is of a marriageable age, Sempronio is inspired by recent news, and decides that he will marry Grilletta to take control of her personal fortune. Sempronio, however, has two younger rivals - his apprentice Mengone and Volpino, a rich lawyer who is a regular customer. 

OVERTURE


Mengone enters the lab, take a hit off his meth pipe, and falls into a drug induced haze in which he dreams... 


ACT I


In the first scene we see Mengone as he mixes drugs while singing about how he hates his job. He knows nothing about chemistry and only works as an apprentice to Sempronio to be near Grilletta, who he's fallen in love with. 


Sempronio arrives 
and doesn't pay attention to Mengone - he seems more interested in reading the news than in making drugs. HIs favorite is a story about a drug dealer who married his ward. This inspires Sempronio to hurry up and marry Grilletta, much to Mengone's dismay. Enter Volpino with a fake order - he's really come to woo Grilletta. Volpino has noticed that Mengone also has a crush on Grilletta so he uses his visit to tease Mengone. While Mengone is busy making the drugs for Volpino's order, Volpino tries to seduce Grilletta, who is not interested and mocks Volpino's efforts. Volpino hates being teased and threatens to kill Mengone.

Once Volpino has left the shop, Grilletta finds herself alone with Mengone and flirts with him, since Mengone is the man Grilletta really wants.
Sempronio returns and cuts their flirtation short. Sempronio is once more engrossed with current events and mulls over an opportunity to take over territory from the Mexican cartels. Sempronio leaves once again to devise a plan, and Mengone and Grilletta get friskier. Sempronio catches them in a compromising pose and in a rage kicks them both out of the lab. 


INTERMISSION 


ACT II


Sempronio decides to marry Grilletta and end her flirtations once and for all. Sempronio sends for a notary to perform a civil marriage service.


Meanwhile, Grilletta has had just about enough of Mengone's inability to stand up for himself to Sempronio and ask for her hand in marriage so she decides she will marry the first man who
 proposes to her. Sempronio proposes and Grilletta reluctantly accepts, but only to push Mengone into action. 


The notary arrives - but it's Volpino in disguise! 
Then a second notary arrives - Mengone in disguise! Sempronio, not recognizing either of the two, asks them both to write a copy of a marriage contract. He dictates the contract, in which Grilletta is said to marry Sempronio by her own free will; the two fake notaries distort every word, and each puts his own name instead of Sempronio's. When the contract is written, Sempronio takes one copy, Grilletta the other and the whole fraud is discovered. Volpino and Mengone are then kicked out of the lab by Sempronio.


BRIEF INTERLUDE

Act III


Sempronio receives a letter from Volpino, telling him that the cartels want to pay a lot of money for his superior blue meth. Mengone and Grilletta confess that they still love each other, and devise a plan to convince Sempronio to let them marry. Soon after, Volpino, disguised as a Mexican drug dealer, arrives to negotiate a major drug deal with Sempronio and the two celebrate their deal with "libations." After their celebration, Grilletta and Mengone convince Sempronio, who in incredibly high, to let them marry. Without realizing that the suitor is Mengone, Sempronio agrees thinking he is making a deal with the same Cartel Leader he just celebrated with. Volpino arrives back on the scene, confused to find that Grilletta is already married to someone else. Volpino finally gives up, and the young lovers smoke to their happy future. 


Meet the Characters of Lo Speziale

Lo Speziale was Joseph Haydn's third opera, and the first opera to be performed performed in 1773 at the newly-built opera house at Eszterhazá, often referred to as the Versailles of Hungary. Goldoni’s libretto, which had been set fifteen years earlier for a carnival in Bologna, had to be rewritten and reduced to suit the four singers available. This involved the necessity of casting a woman in the role of Volpino and transferring one of the other male roles from the bass clef. A cast with two tenors and two sopranos, is in other words no whim of the librettist and/or the composer but a practicality. After the Eszterhazá performances the work fell into oblivion but was revived in the late 19th century. It was drastically rewritten, with little left of Haydn’s original, when it was performed by conductors like Mahler. It was not until the late 1950s that an authentic edition was published, based on an incomplete Budapest score. The greatest problem is that there is a great deal missing from the third act: an aria, a duet and lots of recitative. The opera is scored for two flutes, two oboes, bassoon, two horns, strings, continuo.

Lo Speziale tells the comedic story of a love triangle between the poor apprentice Mengone, the rich and assured dandy Volpino, and the local apothecary's ward, Grilletta. 

The Characters


Sempronio






(Team Pinkman: Katia Hayati / Team White: Carmelo Rosado)

An old apothecary, traditionally sung by a tenor. Sempronio is obsessed with the news. For our purposes, Sempronio is akin to Walter White.




Grilletta 






(Team Pinkman: Kathryn Benedicto / Team White: Nicole Cooper)

Sempronio's ward, has a substantial inheritance. Traditionally sung by a soprano. For our purposes, Grilletta was inspired by Jane Margolis.






Mengone 




(Team Pinkman: Carmello Tringali / Team White: Mark Bonney)

Sempronio's young apprentice, traditionally sung by a tenor. For our purposes, Sempronio is Jessie Pinkman, the guy who's really too sweet to be a drug dealer.





Volpino 


 


 (Team Pinkman: Ewa Nowicka / Team White: Corinne Rydman)


A rich young dandy, regular drug buyer from Sempronio. Traditionally a breeches role, sung by a mezzo-soprano. For our story, Saul Goodman was our character reference.