Marisa Wegrzyn (born 1981) is an American playwright based in Chicago, Illinois. She grew up in Wilmette, Illinois. Born to an anesthesiologist and former flight attendant, she began writing plays at 18. While at Washington University in St. Louis, Wegrzyn won the university's A.E. Hotchner playwriting award after finishing second the preceding year. She came as runner-up as a freshman for Polar Bears on U.S. 41, and was chosen to take part in the WordBRIDGE program. Hosted by Eckerd College in St. Petersburg, Florida, it is a two-week program with theatre professionals.
The next year, her play Killing Women, about female hitmen, won the award and was produced by the University’s A.E. Hotchner Play Development Lab. After graduation in 2003, she was put in touch with the Steppenwolf Theatre Company's director of new play development.
Wegrzyn's black comedy The Butcher of Baraboo debuted by Chicago's Steppenwolf Theatre Company in 2006 and ran again at the Second Stage Theater in New York City a year later. The play went on to receive its West Coast premiere in San Diego, CA, in 2009 where it was then hailed by critics as a success.
In 2009, Wergzyn won the third annual Wasserstein Prize for her play Hickorydickory, which had not yet been produced. The award, named in honor of Wendy Wasserstein, is given to a female playwright under 32 who has yet to receive national attention.
She has been commissioned by Steppenwolf (twice), Yale Repertory Theatre, and Theatre Seven. She is a founding member of Theatre Seven in Chicago and is currently writing for TV (Goliath, Amazon) while continuing her work in theater around the country.
Showing posts with label playwright. Show all posts
Showing posts with label playwright. Show all posts
Friday, August 30, 2019
Thursday, July 11, 2019
The How & the Why: The Playwright

Sarah Treem is the Golden Globe Winning writer and producer of Showtime's The Affair. Her full-length plays include Empty Sky,Against the Wall, Mirror, Mirror, A Feminine Ending, Human Voices, When We Were Young and Unafraid, and Vienna's Amazing.A Feminine Endingreceived its world premiere at Playwrights Horizons in Fall 2007, was subsequently produced at South Coast Repertory and Portland Center Stage in 2008. Human Voices was part of Manhattan Theater Club's Springboard's New Play Series and New York Stage & Film's Powerhouse Reading Season in 2007. Sarah has been in residence at The Sundance Institute and The Ojai Playwriting Conference. She has been commissioned by South Coast Repertory and Playwrights Horizons, and she is a current fellow at the Lark Playwrights' Workshop. On the television side, Sarah is a Writer/Producer on two acclaimed HBO series, In Treatmentand Mark Wahlberg's How To Make It In America. She also writes for House of Cardsfor Netflix. Sarah is currently adapting Tom Wolfe's novel I Am Charlotte Simmons for Bill Haber and Tina Brown at HBO. Born in Boston and raised in multiple states on the east coast, Sarah graduated from Yale University with a B.A. and the Yale School of Drama with an MFA.
Monday, September 10, 2018
Watson: Meet the Playwright
Since then, Ms. George’s plays have been produced at Playwrights Horizons, Clubbed Thumb, Shotgun Players, and Perseverance Theater, among other venues. She has been the recipient of a MacDowell Fellowship, the Princess Grace Playwriting Award, the Outer Critics Circle John Gassner Award, and the Jane Chambers Award. A resident playwright at New Dramatists, George was also a founding member of the collective 13P (Thirteen Playwrights, Inc.), which won an Obie Award. Her play The (curious case of the) Watson Intelligence was nominated for a Pulitzer Prize in 2014. She also won the Whiting Award for Drama in 2016 for the same play.
For seven years, George was the director of the Bard College satellite campus at Bayview Correctional Facility in Manhattan. She is originally from Amherst, Massachusetts, and is currently based in Brooklyn, New York.
Wednesday, August 2, 2017
Airswimming: Meet the Playwright

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